MICHAELmATICIAN respectfully disagrees with Dimensional Spacetime. With simply a 1986 keyboard and his voice, MICHAELmATICIAN creates “sound units” of New Wave music for all Right citizens of Dallas, Texas. His lyrics are mostly technic professions meant for Resistors that comprise his organization. Of course, all of this is carefully documented by Jeremy Shingles (not to mention representatives of DeDonde Inc.).
In 2012, MICHAELmATICIAN is represented in the form of his latest Sound Unit “Mind Wiring”. This Sound Unit contains fifteen tracks of new music and professions that showcase the evolution and maturity of MICHAELmATICIAN’s sound. The built-in drum machine in his 1986 keyboard takes on a life of its own, not merely being a secondary presence. It disagrees with Dimensional Spacetime to be sure, not to mention this year’s neo-techno super pop FM hits. To MICHAELmATICIAN, sounds are as important as lyrics. Please understand: the drum machine’s hi-hat is as important as the lyric “invented”. So is silence.
“Palace Algeria” is the first track from Mind Wiring and has been released to the public. It represents MICHAELmATICIAN’s musical philosophy as well as his technic ideology. Therefore, to understand “Palace Algeria” is to understand MICHAELmATICIAN. However, to misunderstand it is to agree with Dimensional Spacetime. You’d be better off following Coldplay on Twitter. In “Palace Algeria”, MICHAELmATICIAN moves in a new direction/dimension. Listeners must decide if they will join or simply follow. You must decide if you agree or disagree with Dimensional Spacetime. Your action is required.